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So our concern isn't anti-ageing, it's anti-Black or anti-dark.
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Skin with pigment usually doesn't age as quickly as Caucasian skin. I think I mention it in the documentary that in many of the countries outside of Europe, we're not focused on anti-ageing. This is a friend of mine who's in her 40s, and marriage wasn't an option, or probably isn't an option, within a narrow community, because her colour discredits her – it discounts her from being seen as a viable option for marriage. She shared the ramifications of this: what does it mean when people perceive somebody as not light enough, and therefore not worthy? What does that mean in real terms, in tangible terms?įor them, that means they don't get married. Then there was a story from somebody I love very much, one of my good friends who joined me for an interview. There was so much there that I think was so important for the global audience to see, that this is not just a problem for South Asians or the Black community – this is a global issue. We had a really long conversation via Zoom, but we had to whittle it down to not even 30 seconds. There's a short clip of a spa, a treatment facility in the Philippines, that's run by a woman called Vicki Belo. We have probably 100 hours of content that didn't make it in, and that I'm sad didn't make it in. Given how much you shot, is there any footage you wish could have been included if there were no time restraints? And the further we got, the deeper we got, and then the more relief I felt, I guess. So throughout the documentary, the 10 days I was in the UK, we were peeling back and peeling back. I know the public hasn't seen it yet, but there was still a crew around, and I was trying to figure out my feelings based on what I was learning throughout the documentary. It was weird to process feelings in real time and publicly. It's the kind of thing I always tell myself when I'm about to shoot. "Nothing has hit me as hard, or as been as personal, as this is." This is not necessarily meant to be a documentary about me. I'd landed in the UK the night before, and I told myself, "I'm not going to be emotional. There's a scene at the very start of the doc where I'm sitting in a chair. It opened me up to press questions about my feelings on these things, which is why I normally don’t get emotional or vulnerable – I like to remain quite guarded.Īs hard as filming this doc has been, have you also found it to be a cathartic experience as well? I don't love to show my more vulnerable side. I cry a lot in this documentary, which is not like me at all. So this was a really emotional experience for me. I guess it's because nothing has hit me as hard, or as been as personal, as this is. And even then, it's so nothing compared to my castmates. We started filming Queer Eye five years ago, and the show's been out for four years. However, the thing that was most surprising was my emotions throughout the process. There was skin-scraping, or skin-removal going on. Well, there were some intravenous things going on. I’d only ever had experience with bleaching creams. It was jarring to see some of the lengths that people had gone to. The actual content itself, some of it was really shocking. What took you by surprise while making this documentary?
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And that's why Digital Spy caught up with Tan to dig deeper into this must-see program. "There are much easier projects, like Queer Eye, quite honestly." But it's an important documentary, nonetheless. "It was not an easy documentary to do," says France. Through interviews with experts and people who have tried skin bleaching themselves, Tan comes to terms with the painful impact that colourism and skin bleaching have had on his own life too. Titled Beauty and the Bleach, Tan's hour-long BBC Two documentary explores the dangers of skin bleaching in the UK and beyond. If he knows I'm going to do an interview, he will call."īut even with this bond, Tan reckons the rest of his castmates will still "be shocked by the version of me" that we see in his latest onscreen venture.
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"I told him I was doing an interview," Tan laughs. "I love them all," Tan France tell us, and during our chat, co-star Antoni Porowski even calls at one point to mess with him. The Fab Five have clearly formed an extremely close bond through working together on Queer Eye.